I’m sorry, but if there are fans out there who can’t access your art because of copyright issues, corporate site blocking, password protection, greedy pricing models, platform compatibility, unclear registration forms, pointless rating systems, clumsy web addresses, laborious product registration, geographical restrictions, stupid security certificates, daily download quotas, bureaucratic sharing constraints, annoying error messages or outdated company policies, it’s time to rethink your distribution model.
I’m not saying you have to give everything you’ve ever created away for free, although I tried that recently and had a lot of success.
But as an artist, your goal is to get heard first, paid second. As an artist, your goal is to build as many bridges as possible between you and your audience. Without that great collision between your work and the outside world, you’re just winking in the dark. You’re the tree in the forest nobody hears.
Yes, many of the above barriers are out of our control. But that never stopped people like Henry Rollins, Radiohead, Louis CK, Aziz Ansari, Trent Reznor, Seth Godin and Kevin Smith from circumventing those barriers and taking their truth direct to market. Those guys never sat back and waited for some invisible jury to stamp their creative passport and tell them their work okay. They simply expressed themselves, shared it with the people who loved them and were compensated accordingly.
There’s no reason you can’t do the same.
LET ME ASK YA THIS...
What is the bridge between art and audience?
LET ME SUGGEST THIS...
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That Guy with the Nametag
Writing, Publishing, Performing, Consulting
My job is to help companies make their mission more than a statement, using limited edition social artifacts.
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